Tag Archives: symbolic understanding

… precious hopes …

The buzz of web-traffic can be exhilarating, a universe of stimulation, stories, advice, facts and know-hows. We put our name out there, mingle with travellers, seek adventure, share our thoughts, fulfil a task, meet like minds, exchange or sell something, and hopefully find synchronicity, resonance – yet at times …

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Nasrudin rode the train to work every day. One day, as usual, the train conductor came and asked him for his ticket. He begun fumbling around in his coat pockets, and his pant pockets, and then in other people’s pockets. He looked in his briefcase, in his bags, and then in other people’s bags.

Finally the train conductor said, ‘Nasrudin, I’m sure you have a ticket. Why don’t you look for it in your breast pocket? That is where most men keep it.’

‘Oh no,’ said Nadrudin, ‘I can’t look there. Why, if it wasn’t there, I would have no hope.’

*     *     *

‘Why, if it wasn’t there, I would have no hope.’ What spooked the legendary fool’s mind that day? What do you make of the story? What does the ticket symbolise/represent for you? A hope can be so deeply meaningful to us that we keep it hidden at times, even from ourselves. Then we look for affirmation elsewhere because we couldn’t stand having our faith dashed.

Yes, I have such days. Where is the ticket to your hopes and dreams to be found? Are you keeping it close to your heart, holding it there, to remind yourself of instances of inspiration, when grace happened in your life, so when grace visits again you can seize the moment?

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I chose the particular version of this wisdom tale from a lovely book edited by Elisa Davy Pearmain, Doorways to the Soul. She calls the story The Lost Ticket. You find a link to Elisa’s website in my blog roll.

A classic collection of wisdom tales I treasure is in Caravan of Dreams, by Idris Shah.

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… what’s your myth …

Do you paint your myth into clouds?

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Do you find your myth on the ground?

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Do you search for your myth in love?

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Do you clean up writings on the wall because you weighed life on scales and found it wanting?

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Is your myth in the process of being sculpted?

Two faces in stone

Are your myths about debunking clichés?

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Are you shaping your myth into the future?

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Are you the eternal traveller – like me?

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This post was inspired by a writer friend I exchanged a few emails with. And I found myself expressing a thought in this vein … Writers and artists are like archaeologists; they dig, uncover and re-shape a personal myth until the myth takes wings and becomes universal, though many writers would deny this. And yet – think about it – the myths we live and re-shape give meaning to our lives and entice readers to explore theirs.

*    *    *

And who do we share our myths with?

Copy of Teddy and child, lowres

A listener like this chap does wonders for one’s confidence :)

Re-posted at:

http://thirdsundaybc.com/2013/04/21/april-2013/

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… a rare book – now on-line …

Following an eight-months labour of love, between my co-editors, the Archventures group, and contributing writers, a small edition of 250 beautiful copies of a book were published in 2010 – Heart of a Sufi – A prism of reflections on Fazal Inayat-Khan (1942 -1990.) As of now, the book is affordable on-line, see below.

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Fazal at Four Winds. 80s

Hand printed wood engraving by Susanne Harding inspired by Fazal's signature.

Hand printed wood engraving by Susanne Harding inspired by Fazal’s signature.

The book contains stories, essays and poems written by those who were inspired by the controversial and innovative nature of Fazal’s work, or by the creative spirit that pervaded the place and people he left behind.

Kaliani, singing

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In the way mystics talk about the right time, place, and the right people, Fazal offered a timely and challenging spiritual education that embraced wit and the complexities of modern life. During the 1970s – 80s he attracted people from many backgrounds and countries who had very little in common, other than being exiles from tradition and hungry for truth. The book gives a flavour of encounters, stories charting the edge of learning and unlearning, relationships with one’s self, the groups, the world, intense experiences, affecting deep peace and change, often achieved after games of orchestrated struggle and conflict, peaking in performances on the stage of a magical theatre – live and experience first, then reflect. Debriefings after workshops were sobering, humorous and mind-blowing events. And something ineffable was transmitted in these transformative setting, through music, through silence or through a glance.

Fazal, 84 inside page for Heart of a Sufi

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A short history:

In 1968, at the age of 26 Fazal Inayat-Khan became the head of the Sufi Movement founded by his grandfather, Hazrat Inayat Khan, accredited with introducing Sufism to the West. By 1982 Fazal embraced his personal style to honour his grandfather’s legacy of spiritual liberty by surrendered his leadership of the Movement and chart his own path. His approach to Sufism resembled Idris Shah’s, whose writings had perked my initial interest in Sufism as a timeless practice of wisdom pre-dating Islam, a teaching kept alive through adapting its essence to new times and people. Adaptation in many fields was called for during the 1960s – 80s. The psychological and scientific insights of that period were so radical their social assimilation has yet to happen.

Conceiving of a book that offered a window to Fazal’s work, the editors had wondered if anyone would be brave enough to come forward and share their interactions with this passionate man, the groups and the tumultuous conflicts worked out during that period. We thank again those who contributed. And there must be many more stories of regret, pain, delight, disillusionment, new found coherence, inspiration, and significant life-changes.

Sufi Way gathering - Four Winds 1991

Fazal, 80s with children at Four Winds

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The rights for Fazal’s hundreds of talks, poetry and musical tunings rests with the present leadership of Sufi Way. Our book contains some of Fazal’s quotes and the extraordinary poem – Qalandar – but the purpose of Heart of a Sufi is to show the potent seeds of love this remarkable man placed into the hearts of people he touched, seeds now unfolding in new settings for generations to come.

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Archventures are pleased to offer Heart of a Sufi as e-book, making it affordable:

http://www.troubador.co.uk/book_info.asp?bookid=2180

On amazon you can peek into some of its pages: http://www.amazon.co.uk/Heart-Sufi-InayatKhanReflectionsebook/dp/B00BFUO0T6/ref=sr_1_22?s=books&ie=UTF8&qid=1363426951&sr=1-2

 

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Relevant links can be followed up from the e-book.

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… prayer …

When I hear of colleagues and friends who are having a stressful time, I usually exit my often self-defeating stream of thoughts and clear my mind – so my well-wishes can broadcast clearly. What works for me is tuning into thankfulness and often a little prayer or song comes to mind.

An image transformed during a rare attempt to be adventurous with photoshop.

An image transformed during a rare attempt to be adventurous with photoshop.

 

Who or what are my little prayers addressed to?                                                                                                                       The One in me I’m not ready to manifest and therefore bow to.

 

Below is a German song that came to me just now.

The text misses two dots above the ‘o’ in the word ‘schonen.’ I’d be grateful if someone could point me to a source for dots.

 

Dank Dir fur jeden schonen Morgen

Dank Dir fur jeden neuen Tag

Dank Dir dass ich all meine Sorgen

Auf Dich legen mag.

Very freely translated: Thank you, for every lovely morning, thank you for every novel day. Thank you, that I may leave my sorrows in your wisdom’s way.

Some time ago I shared my favourite prayer, also a song, with words by Hazrat Inayat Khan: …http://courseofmirrors.wordpress.com/2011/05/08/my-favourite-prayer/

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… global vision & synchronicity …

Moroc, Marrakech Riad roof, golden vision - low     Less than 80 years ago, across the world, only about 200 televisions sets were in use. Today, a simulated reality confronts us with our collective mind. A click away, we sample the zeitgeist and witness some disturbing trends, like the continuous robbery of world resources.

How do we filter the mass of information? Do we shout treason when we see the failure of economic systems that allow 1 % of the population to own 40 % of global wealth, or when we discover that certain corporations privatise water –  even rainwater  -  in underdeveloped countries? Traversing from one patch of light to another, do we make connections that apply to our scope of action? Or, lacking a meaningful context, are we hypnotised by this enlarged mega-screen, the global vision of a world that can mirror our inner fragmented states  -  a world where every viewpoint exists simultaneously, that over-exposes so-called reality and blinds us? Are we ourselves living inside the screen-myth, as extras, freed into bits, a reservoir of data?

As writers, what in-forms us, what material do we disseminate? And what is it that makes choices, switches from one networks of influence to another? What guides us through the data jungle? Are there perceptions beyond our wilful personalities that determine, agencies that operate through us from beyond time and space? I’m weary of the term God. For me this agency is a consciousness composed of past, present and future intelligences, a light-wave that echoes different signals according to the receptivity and needs of each animated vessel. Humans can be dense, but a calm mind recognises clear signals of this wave, since they chime with a joyous feeling of connectedness, a larger symphony, maybe even the sense of a destined purpose.

In my experience, this consciousness operates through synchronicity. There exist conceptual similarities between the behaviour of sub-atomic particles and archetypal images, (C G Jung and Wolfgang Pauli discussed such similarities in the context of synchronicity), a striking link between mind and matter that has been largely ignored. It implies that mind and matter connect, relate, mirror each other, and reciprocate. The process is given life in the realm of the psyche as imagination, not structured by time and space, but through layers of meaning illuminated by consciousness. Psyche is the changing room between cosmos and pneuma.

Moroc, Marrakech, Riad roof, shadow - lowJung thought of archetypes not as fixed, but as changing predispositions, universal patterns inherent in the human psyche, images that comprise our collective past and future unconscious. A pattern stirred into activity by an emotionally charged event in our lives, brings home related experiences, often through meaningful coincidences in a non-linear and a-causal way.

Such synchronicities draw on a deeper life-sap, as if an eternal intelligence were at work.

David Bohm proposed that subatomic particles remain in contact with one another regardless of the distance separating them, and that their separateness is an illusion. Here a facet of his thinking – a short first part of a 5 part series  http://www.youtube.com/watch?v=oGyDVF8GrLk                                                                                              A great and humble man I greatly admire. He has beautiful hands  :)

A dream, for example, can attract an outer event, a meaningful coincidence, that powerfully substantiates a message from the unconscious, often accompanied by a numinous quality. In my own life, synchronistic events have challenged my narrow reasoning at certain crossroads towards seemingly irrational decisions. Exploring a hunch, while not attaching to the outcome, often clarifies a situation for me. Consequently, I respect the unconscious, and heed my intuitions.

‘The universe does not exist, out there, independent of all acts of observation. Instead, it is in some strange sense a participatory universe.’John Wheeler

Just as scientist are branching out from traditional imperatives that divide the world into subjects and objects, so we all, presented with a global vision, must modify some of the archetypal imperatives, images and ideas that have outlived their use, and look for symbols that carry a fresh mystery.

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While sun and moon are forever formative and feed our imagination, they are no more our only lights.

With new associations from science come fresh symbols and exciting probabilities, in that we can question assumptions about time and progress, about the relationship between matter and mind, about our view of social units, and even the meaning we give to gender.

‘It’s a poor sort of memory that only works backwards’. The White Queen says to Alice.

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Many of my posts here touch upon similar themes, but maybe pattern-which-connect in particular: http://courseofmirrors.wordpress.com/2012/05/25/pattern-which-connects/

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… why spin tales? …

Die Nachtigall-02 Why spin tales, why listen to them, enact them on stage, dance them, ritualise them, read them, write them, re-write them?    We tell stories to ourselves and each other, to entertain, inspire, amplify events, or in search for meaning.

When it comes to stories, fact-finders tend to miss the point. Too many sequential facts can befuddle a truth that lingers in the higher or deeper layers of consciousness, from where vital symbolic insights shine through a narrative.

We owe much to Joseph Campbell, who with life-long passion explored the origins of myths and their functions throughout human history: http://en.wikipedia.org/wiki/Joseph_Campbell

And check out these fantastic documentaries: http://en.wikipedia.org/wiki/The_Power_of_Myth

A myth is a public dream – a dream is a private myth. – Joseph Campbell

 

In my psychotherapy practice, clients present their story in unique ways that occasionally include lucid dreams of past lives. I deeply respect the power of the imagination. In neutral mode, I listen. So it happens that a trauma set in thirteenth century Languedoc, when Cathars were branded as heretics and massacred by the Catholic Church, can deeply trouble a person’s psyche with visceral images. I travel along, and as the story is released, I may bridge the emotional resonance of a pattern to the present life of a client. In this process profound cognitions can soften a psychological complex.

Lasting examples of deeper truths are mirrored in Fairy-tales and myths, where basic patterns of our collective unconscious psyche are brought into relief. That is, if we can grasp the metaphors under the primary meaning of words. Fictional settings for heroic or anti-heroic characters are particularly suited to convey powerful emotional themes infused with archetypal elements.

… the spirit of an age is more essentially mirrored in its fairy-tales than in the most painstaking chronicle of a contemporary diarist … Raymond Chandler – Realism and Fairy-land

Some religions persist in the literal truths of their sacred texts. Scientists, too, get stuck in dogma, but I emphasize more with the frustration of the latter, since, with the courage of doubt, scientists have pushed the horizon of knowledge outwards by painstakingly reading the book of nature through the language of data, evidencing processes poets and mystics before them intuited, but physical eyes cannot perceive – like radiations other than light. I’m trying to overcome the conflict of the scientist and poet in me. They interpret the world in different but equally significant ways. There is a need to read nature in both languages, so greater understanding and tolerance can develop.

‘With faith one attains and realises peace and harmony. With doubt one destroys and gains freedom to move ontowards.’    – Fazal Inayat-Khan

Memory, objectively true, or false, affects our lives every day. Stories lodged in the heart endure in a timeless dimension of the imagination. We can however alter their interpretation by exploring our perspective, be it from a pit of fatalism, a sense of insecurity, a belief in magic, faith in divine guidance, or the certitude of natural laws. Even the simple acceptance of life’s continuous dynamic change can shift the meaning of our stories, and, of course, it helps to overcome literal mindedness and make an effort to decipher the metaphors.

‘The mystical warrior is trying to reduce the obstruction in the doorway, and the worshipper is attempting to reach the construction behind the doorway, almost out of sight. There is a gap between the two … the vague band between the known and the unknown. In that band rapture is possible.’   – Fazal Inayat-Khan

Stories are the sap of life nourishing the roots and branches of humanity. We spin stories because during the birth of this universe the symmetry between matter and antimatter was broken, kicked out of balance, which resulted in a slight predominance of matter, the stuff we bump into. It’s a poignant thought that this little quirk caused the dynamic asymmetry that evolved into the universe we live in. Without this asymmetry between matter and antimatter our world would be empty, there would be light only – sans elements, sans plants, sans animals, sans night, sans saints, fools, villains – sans consciousness – no story.

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For those interested in nuclear physics:

http://www.slac.stanford.edu/pubs/beamline/26/1/26-1-sather.pdf

 

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… snow and silence …

Snow is a miracle that touches a deep silence in me, a silence I cannot speak of well – words seem wanting. And still I try, as many of us continue doing in various ways.

We may share the banter of our lives, our witty observations, our advice, our humour, our existential pain, or we may reach out with a warm hand of reconciliation. I do all these things, at times, but underlying my often competing voices, I tend to channel my experiences into the roaming eye of future becoming. If friends misread me, I like to console myself with this Ralph Waldo Emerson’s quote –

Nothing is at last sacred but the integrity of your own mind.’ 

Each one of us has unique perceptions, and there is enormous inspiration and joy in our differences.

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So much for the still sphere snow touches in me. The other miracle about snow is that it draws my attention to the surreal nature of reality, highly sensuous, yet stripped of  bright colours and removed from habitual seeing – to the bones of shapes, to deeper gestures and essences. For me, a snow-covered scene is a metaphor of restraint that slows down or speeds up time to alien levels of dimension. It occasions one of those time-independent spheres, where I make pattern-connections and create new meaning.

A simple poem follows my thoughts on the miracle of snow.  I tried to limit myself to  5/7/5  Haiku count, and hope it delights:

in silvery vaults

an angel ruffles her wings –

a leisurely shrug –

Grass and snow, low

the sparkle begins –

slipping from her hand as a

powdery shower

of crystalline downs –

feathery light on the silence

hidden between breaths –

fine gauze swirls and drifts

across the tired features

of a dreaming land

to drape every

plane and angular slope in

white geometry

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My appreciation for the geometry of life resonates with my love for black & white photography, see two posts back:

http://courseofmirrors.wordpress.com/2012/12/31/the-inner-silence-of-henri-cartier-bresson/

There are other pleasures to be had from snow, as my enthusiastic and capable son demonstrated in 1982 Somerset, and as the adorable puppy of a friend of mine discovered in Dorset yesterday.

Yeshen shovelling snow, 82

Susanne's puppy

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… erotic charge of flawed characters …

Literature thrives on flawed characters. With the sinister Heathcliff in Wuthering Heights, for example, Emily Bronte tapped into the shadowy aspect of masculinity.

C G Jung calls the latent masculine within women the Animus. Both in its light and dark aspects, this archetypal blueprint can put women under a spell.

I can see Jonny play the disparate twins in my novels :)

I can see Jonny play the disparate twins in my novels :)

Equally, the latent feminine potential within men, the Anima, can evoke both, the guiding wisdom of Sophia or the dark erotic charge of Medusa, causing tremendous fear of nature and its awesome power.

Rather than using the image of a femme fatal, I choose to show what  fear of the feminine inspires in some cultures.

Rather than using the image of a femme fatal, I choose to show what fear of the feminine inspires in some cultures.

Our irrational attractions can be sparked and coloured by the parent of the opposite sex. Like a woman with a brooding and unapproachable father may have to kiss many frogs before she discovers the prince inside, while an idealising father can trap his girl in vacuous fantasies. And the boy of a manipulative mother may develop resentment or idealisation for women, or both in a toxic mix. What we tend to project onto the opposite sex is however deeply sculpted by a collective archetypal storehouse of experiences with dual aspects. Paradoxically, this storehouse is also the source of our most powerful experiences and innovations. Whether in a life-giving shape or a dark and petrifying shape, either way, the Animus and Anima hold a numinous fascination until their autonomous grip on us emerges into awareness, becomes conscious, is redeemed, turns creative and makes us truly human.

In my first novel, Course of Mirrors, my protagonist, Ananda, is torn between two disparate men, twins. The theme continues into the sequel – Shapers – with higher stakes in another time zone. In the excerpt below, Gart is rescued from a dangerous impasse by a trickster and transported into the twentieth century, where he meets the story teller and myth-maker, Cara.

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Short excerpt from chapter 12, Shapers

Back in Derrynane

Five hundred years back, at the Kerry peninsula, Gart pondered how he came to sit at this familiar coast, under a dull sky that matched his mood, the sea before him rolling and spitting at his soiled boots. It was the trickster’s doing, of course. He did not thank Zap for transporting him back here, where an old crone had hexed him and a group of weird artisans had made him look like a fool. Yet it was here that he first met Mesa, who he now pined for in his bones. He must get back to Rhonda and outdo Crim. And Leo must be terminated, since he had obviously gone mad, and courted disaster if he planned to control Rhonda’s army. The Governor of Guardians, ha, they despised the fat man. It was him, Gart they followed.

‘I messed up,’ Zap acknowledged, stretching on the wet sand nearby and cracking his joints. ‘Forgot, I can’t activate coordinates for the hub, and this happens to be the only other place we’ve been in together before. I had little choice. ’

‘You’re not so bright after all, are you?’ Gart grunted.

‘At least we’re not consumed by noxious fumes of our own making. Best not dwell on the past.’

‘We are in the past, eejit.’

‘Local slang, eh? You’re a fast learner. You score a point. Zap jumped up and ran a circle of cartwheels. ’Let’s go up to the estate, see who’s there.’

Derrynane estate looked deserted. ‘Nippy air on the plateau,’ Zap said, ‘you would’ve thought they’d light a fire, but not a whisk of smoke from the chimneys.’ The men slipped through the narrow gap between green-smothered walls, the two dragons, Zap recalled, though now their shape was lost under rampant ivy. The yard, empty of dogs, cats, geese or horses, had a silver car parked near the main entrance. Zap whistled, ‘Flashy design, time’s moved on since we’ve been here last.’

Gart’s heart lurched at the sight of the woman appearing in the porch.

‘Hi,’ she said, ‘do I know you? You’ve been here before, haven’t you?’

Zap, in Shaper style, put a hand to his heart. He too recognised her, though she had turned into a mature woman. ‘You’re Cara, I remember. Where’s everybody?  Saki, Anke, Mushki …’

‘Oh the troupe, goodness, that was years ago. When Gutch and Craig joined them they hit the road together. I think they operate from a place at the English coast.’

‘And that witch?’ Gart wanted to know.

Cara gave him a piercing look. ‘You mean the oracle of my mentor, Tilly. She has sent me here, for a retreat. I only just arrived. I plan to spend some time writing on my story of Mesa.’

‘I hope the story includes us,’ Zap said, we’re friends of Mesa.’ He shot a glance at Gart, whose mouth opened and shut in confusion.

‘You better come in.’ Cara’s scalp tingled. This must have been what Tilly had had in mind, to process the strange occurrences from so many years ago. ‘Zap and Gart, is it?’ Like Tilly, they hadn’t aged at all, while she herself had gained ten years. To mask her excitement she whizzed around the kitchen. She stacked kindling in the cooker, emptied her shopping into the fridge, plonked bread and cheese on the table, put a kettle on, fetched plates and cups and cutlery, all the while feeling Gart’s eyes on her. She told her guest about her life, her journeys, and studies. Zap helped with arranging the table and kept nodding at here, eager to hear all she had to say. Cara only tried to gain time to collect herself before she was ready to ask the questions pressing on her mind, about Sax, about Rhonda, about Mesa.

‘Shall I get logs?’ Zap asked sweetly.

‘Oh yes, please. I was planning to camp in the cottage, but we might as well get rid of the chill in the big house. The cooker is attached to a central heating.’ She watched Zap walking out with a basket, charmed by the ease of his manner.  Gart made way for Zap but did not offer any help. Rooted to one place since entering the kitchen, he resumed his position, leaning casually against the door frame  Now they were alone Cara couldn’t avoid him. Their eyes met. She blushed. He had followed her every movement with an air of pretended aloofness. A hint of curiosity sneaked into his eyes.

‘I look like her. Is that it?’ Cara said.

‘In a way.’ Gart moved towards the table and pulled out a chair to sit on. ‘What happened to your lover, Dillon?’

‘We split, went our different ways. He had his quest.’

‘What quest?’ Gart asked. The term perked his interest since Oruba had called his underground journey a quest.

‘Not my tale to tell. He may have found whatever it was and not realised it.’

Zap returned, groaning under the heavy basket of wood on his shoulders. He piled logs over kindling in the cooker and neatly stacked the rest against the wall before he went to get another load. Cara lit the fire. Gart, intrigued about her remark regarding Dillon’s quest, struggled to grasp what precisely intrigued him. He scratched his ear, as if hoping for a message. He resented how confusion undermined his confidence. The kettle whistled. To snap out of his dazed state, Gart got up to pour the boiling water over the coffee in the percolator Cara had prepared. ‘Thank you,’ she said, surprised. When Zap returned they settled to a meal. It was Cara’s turn to ask questions. Intermittently Zap fed the fire and they moved from coffee to drinking wine. The story Cara was so eager to hear unfolding was punctured by heated disagreements between Zap and Gart.

‘Some names have changed, but I recognise the characters.’ Cara said, jotting down notes, pen hot in her hand. ‘I thought they’d outlawed weapons in Rhonda. Where did the laser guns come from?’

Gart said. ‘Leo must have raided the Archives. Everything from ancient pasts is stored in the pyramids surrounding the archives – and there maybe catacombs under them. I know this because Leo let it slip once. ‘The man’s a danger to Rhonda. I’ll put an end to him.’

Zap shook his head. ‘Killing Leo, and start a war! Use your imagination. He turned to Cara. ‘If you’ve a say in this story, keep this man away from Mesa. He’s murdered in the past, he can do it again. Mesa deserves better.’

Gart pushed back his chair and sent it cluttering to the tiled floor. He stormed from the kitchen. Cara felt the hurt pride under Gart’s rage. Zap crunched his fist and stared into space. Fiercely protective of Mesa, he had clean anger under his pain. ‘Please keep the fire going, Zap, there may be frost tonight. I’ll talk to Gart,’ Cara said. And she knew where to find him.

The sky had cleared towards the horizon. Beyond the yard, the autumn breeze picked up, biting through Cara’s light coat. She saw him standing at the cliff, looking towards the faint silver band that now divided sea and sky. A diaphanous layer of cloud screened the late sun, against which Gart’s lean body looked delicate, like a feather drawing. Why had she invested her story with two lovers, men who did not see eye to eye, men as different as Assisi and Caligula?  He did not turn to look at her as she stepped close to him. He did not move at all, his mind had wandered off through time’s veil, searching for Mesa, no doubt. ‘You see,’ Cara said, ‘once we have given life to something we can’t control it, we can only try to influence an outcome with truth, which is not always in tune with our wants.’

‘I don’t understand.’ Gart finally met her eyes. ‘You created this damn story. Whose side are you on?’

‘Truth is hard to discern, its meaning is held in another reality, where on-going myths are spun. You became part of my story because you walked into it, in a most brutal and controlling manner, though it wasn’t entirely your fault. Does the name Batin mean anything to you?’

Gart felt a stab of fear, but quickly shrugged it off. ‘I think I met a ghost of that name.’

‘How your path unfolds depends on your engagement with what you attract. It’s the same for me, but in addition I’m recording fates, yours, Leo’s, Zap’s, Mirre’s, Oruba’s, Mesa’s, Crim’s… ‘

He cut in. ‘Crim’s one too many.’

Cara sighed. ‘I care for all of your fates, they affect me deeply.  My feelings swing about, gyrate like a weathervane does when it storms, which should kind of answer your question. Right now, as I stand here next to you, sensing the pain you can’t quite admit, I’m on your side, but my alliance can change, from moment to moment, from day to day, from chapter to chapter, since like you, I’m compelled by this quest for truth.’

‘Truth again …’ Gart’s lips curled and broke into a devastating smile. ‘Tell me this then – why does Mesa look like you?’

Cara swallowed her shock. He had touched on her core identification, revealing her disparate affections, the turmoil she experienced between the two types of men she was enmeshed with across time, of whom one now exploited her vulnerability, took complete possession of her with his eyes. And faithful to his nature, he relished in the conquest. Cara’s heart quickened. From deep inside her body she felt his pull, as if by a rope. His seductive power made her tremble. Yet she knew he cared only about himself. And coerced by her divided nature, her concern instantly switched to Crim.

*    *    *

If you’re not familiar with the concepts of the Shadow, Animus or Anima, the Wikipedia pages can serve as introduction.

http://en.wikipedia.org/wiki/Shadow_(psychology)

http://en.wikipedia.org/wiki/Anima_and_animus

And anyone who has never heard of Joseph Campbell – this book is a must for writers.

http://www.amazon.com/Thousand-Faces-Collected-Joseph-Campbell/dp/1577315936

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… the rose trick …

As white clouds sail above my garden today, and robins peck at morsels the fat turtle-doves dislodged from the feed-balls I hung into tree branches, I’m thinking of the hectic buying-frenzy in town, and what springs to mind is that it’s all about feeling loved. In that spirit – a Christmas gift for you, my readers and friends – The Rose Trick – a guided imagery from another dimension. I use this imagery in my work, though it turns out different each time. Once you have read the text, close your eyes and make it real – imagine…

A garden, your inner garden – in it grows a rose bush that carries one bud about to open. Stand still and observe – a luminous tip of colour peeks from the enfolding calyx – the sepals gradually separate and turn their green tips outward. See the rose bud stir – see its petals open in a slow and fluid movement – until the luminous rose has attained its perfect shape and exudes its delicate fragrance.

As the garden fills with radiant light, imagine the open rose growing into another dimension, expanding in size to a sphere that is inviting you in. Overcome the weight of your thoughts, walk barefoot with  feather-light steps towards the centre of the rose-orb and sit and rest there for a while …

Absorb the soothing resonance, the exquisite tenderness of the petals, and the subtle scent of the rose-sphere through every cell of your body. Be loved. Become the perfect rose.

Autumn Rose

Now rise and return to the former dimension of your garden. Look back. Watch how the rose grows small and folds back into it sepals – watch the bud floating into the palm of your hand – sense the rosebud in your hand, and how its power wishes to stay alive in your heart so you can call upon its unfolding whenever you need loving. Do it, place the rose and the whole experience of rose-becoming into your heart.

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Do this imagery when you feel a lack of harmony, or if you lost someone dear. It will re-animate the attar of roses in your heart.

The inspiration behind this imagery, which, done with an open attitude, can be  powerfully transforming, comes from great beings like Hazrat Inayat, Khan, Fazal Inayat-Khan, Roberto Assagioli, R M Rilke, Rumi, Bette Midler, and from roses grown in many gardens …

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‘When one of us gets lost, is not here, he or she must be inside us.

There’s no place like that anywhere in the world.’  Rumi

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The following are thoughts from ‘The Mind World’ – Volume Four of Hazrat Inayat Khan’s lectures.

The Function of the Heart

The heart, in Sufi terms, is called the mirror. Whatever is reflected in the heart does not only remain a reflection but becomes a creative power productive of the phenomenon of a similar nature.

For example, a heart that is holding in itself and is reflecting the rose will find roses everywhere. Roses will be attracted to the heart and roses will be produced from it and for it. As this reflection deepens and becomes stronger it becomes creative of the phenomenon of roses and the symbolic qualities we associate with roses.

Equally, the heart that holds and reflects wounds will find wounds everywhere. It will attract wounds and it will create wounds; for that is the phenomenon of reflection. There are examples to be found in the world of people who by retaining a thought have created on the physical plane its manifestation, its phenomenon. The reason is – that the phenomenon is not only an image as produced in the mirror

but that reflection in the heart is the most powerful thing. It is life itself – and it is creative.

If the heart is calm enough to receive reflections fully and clearly, one can choose for oneself which reflection to repel and which to retain.

*    *    *

Maybe we are the particle science is chasing ...

Maybe we are the particle science is chasing ..

See also Bette Midler – The Rose: http://www.youtube.com/watch?gl=GB&hl=en-GB&v=oR6okRuOLc8

And http://courseofmirrors.wordpress.com/2012/07/14/imagination/

And …

Arvo Pärt – Alina!

http://www.youtube.com/watch?v=rmafNVimRbI

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… ground of poetry …

‘Ground of Poetry’ is a poem inspired by the bagpipe playing of a Scottish friend, Colin, during a recent gathering in memory of another friend, Aranth. See an earlier post on ‘receiving.’  The sound of the bagpipe opened the sky and vast landscapes, across which the drone carried the glories tunes into a kind of homecoming. The drone of a musical instrument, I thought, is like the backdrop sound of the universe into which every manifestation dissolves, and from which every manifestation returns.

in the beginning was the word … the leaves in my garden reminded me of words.

 

 

 

 

 

 

 

thousand-and-one words fall to the ground

jewelling the story of seasons’ rounds

they’ll twirl anew to the drone

of each new sound arising

from beyond the ever-

open silence

 

 

 

 

 

 

 

open silence

from beyond the ever

of each new sound arising

they’ll twirl anew to the drone

jewelling the story of seasons’ rounds

thousand-and-one words swell from the ground

 

 

 

 

 

 

 

 

 

 

 

 

 

 

For anyone not that familiar with bagpipes, here are a few words and tunes:

http://www.educationscotland.gov.uk/scotlandssongs/about/instruments/bagpipes/index.asp

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