Tag Archives: drama

… blackbirds – another drama …

It’s been 5 years since the last blackbird drama in my garden (see links below,) which ended well. The family returns annually to a home they have grown fond of in bushy ivy that smothers my pergola.

P1080302 - smallerLast week, drama revisited. One of the fledglings fell from its nest. The parents called the alarm, showing me where to find the escapee, huddled in a corner, its beak demanding food. It was not quite ready to fly. I couldn’t find the nest, so I put the little one in an old cat 🙂  basket, which I fixed on a safe branch cats couldn’t reach. I made the basket homely, with leaves, arty pieces of dry roots – a cushion even. All was well. The parents came and fed their lost baby, which made me happy.                                                                               P1080307 smaller

Next day, seeking adventure, the fledgling squeezed itself through the barriers. The usual racket of complaint alerted me. A cat was near. The mother bird’s courage amazed. Descending to the lawn she attacked the cat, who was petrified. I found the little one, well camouflaged among dry leaves, and I deposited it once more to the basket, with added netting.

Peace prevailed,  the rascal was fed, until yesterday it escaped again. With my best efforts I couldn’t locate the fledgling. Either it had learned to fly, or the cat had a meal.

P1080303 - smallerThe luxury nest is now empty, and apart from a soft breeze ruffling flowers and leaves, the garden is strangely quiet today.

No sight of the parent blackbirds either.                       I wonder why and whereto they have suddenly disappeared. Are they hiding in grief somewhere, or are they accompanying their adventures offspring on its first odyssey?

 

The links below lead to the 2011 drama. Pages will open separately. You won’t loose this one.

Major drama in my garden – all my fault.       2011/07/03

Update on the drama in my garden                   2011?07/22

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… the mystery of character versus genre …

Flicker, flicker, speed, speed – time is flying – here is a genre – an inviting golden bowl – let’s drop a story into it. A well-defined genre promises the best route to financial success for many aspiring writers.

the golden bowl of genre Human traits that make up characters are unfathomable in their combination, which is why we traditionally veer to an index of types. The adage of the writing guru – don’t tell, show – suggests character is revealed through traits that imply qualities. Traits fascinate us, but if they are mechanical in their emotional and logical processes, they seldom surprise. In such case the page-turning tension must be provided by the plot.

During the nineteenth century’s advent of psychology and individuation many writers moved away from the Greek model of plot-driven stories. Curiosity shifted to the complex inner life of characters and their individual way of creating meaning was employed to unfold narratives.

The search for a unique self beyond the collectively orientated ego personality is relatively new, and while time-engraved archetypal energies hold us in their emotional grip, we have now psychological maps to help us become more conscious of their compelling powers, more conscious of our personality, which, for the writer, informs their fictional characters and opens new worlds and new choices. Irrespective of the rich psychological and scientific knowledge available to us, the process of character formation present us with the greatest mysteries of our time – as exciting as discovering new territory, new planets, new eyes on the universe.

Here I am making up a scene from scratch:

He stiffly dragged his feet along the polished marble floor of the shopping mall, his head forward as if pulled by a rope, though his eyes did not focus forward, nor up or down, they swivelled, left, right, left right, alert for what? Alert for anyone who might observe him? Nobody did – apart from one person who sat still on a seat moulded into the stone replica of a toy train. She raised her eyes from her book and looked straight at him …

Now as reader, and as the writer of this entry into a scene without blueprint for a story, I’m curious – where is he heading, where is this going? I search for a deeper layer, a narrative unfolding from the mysterious core of the character walking through the mall. I want a substance to chew on, to extract a flavour from his unique world.

The woman’s stare broke his set rhythm of surveillance. His face contorted in fear, his feet lost touch with the marble floor, sailed on air, while his arms flattered like duck wings failing to lift. All he could think of before his fell flat was – she knows, she knows I’m not present in this body. All he perceived were veins of light in a glittering darkness. He chose to vacate.

Are you hurt? While approaching the sprawled body of the man, the woman shot a stern glance at her boy who stood by guiltily. She had noticed him drop the sweet wrap. She had noticed the man stepping on the slippery cellophane. She had caught his eyes – and what she saw in that instant had made her shiver …  

I’m not going to follow up this scene. Anyone who reads this is welcome to do so. It would give me a thrill.

We all enjoy our stock characters and their antics, types set into situations and conflicts we can readily identify with, heroes we can like, villains we can despise. We enjoy themes that fall into definite genres that entertain us away from tedious daily concerns. I’m not knocking these stories. I enjoy them myself.

But hey you, all writers out there, why not take a risk and be drawn to the mystery of the unpredictable that challenges you to think in new ways, why not evoke characters who, even while using known containers, allow their (your) unconscious past and future to fill in the content, characters who explore their personal experience to a depth where it becomes universal, characters who play with time and space and are directed from their inner spirit, even when it requires a new container?

In my writing, I like the adventure of discovery, a nut to crack. I like to allow my character to walk ahead and unfold the story, and if it spills over the frame of a convenient genre, so be it.

P1100981And here my little gripes with how-to-does:

The advice-filled internet spheres turn and turn like gyres.

Answers sum up being and are full of promised abundance – yet they are dead.

Questions sum up becoming and are full of challenging limitations – yet they are alive.

 

 

‘One does not discover new lands without consenting to lose sight of the shore for a very long time.’

Andre Gide

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update on the drama in my garden …

If you read my June 3d entry here you will remember my crime.

The grey and fluffy young blackbird I toppled from her nest and managed to bring home again, is now out and about. The little one is so-so at locating worms but not a great flyer, yet.  And she comes very close to my door, peeking in from time to time, remembering, not doubt, my pitiful attempts to feed it grubs. And here is why I think I traumatised the little one. She is now capricious about food.

Shiny, black dad does his utter best to introduce Morello cherries to his offspring. An acquired taste, a little tart, I admit, but considered a great delicacy among blackbirds. The tree provides me with wonderful jam each year and I always leave plenty of fruit for birds.

Picture the teen fluffing about on the head of my little stone Buddha waiting for her dad. There he comes, with a bright-red cherry in his beak, already de-stoned. The young one takes one taste and spits it out. Dad picks up the morsel and tries again, repeat. This goes on for several rounds until the cycle is broken by the firm consistency of dad and the cherry is swallowed.

Watching the scene every morning on top of my stone Buddha’s head cracks me up; it’s so entertaining I keep forgetting to fetch my camera – maybe next time.

Later addition …

Just got this delightful drawing as an early birthday present from my son’s partner, Tasha. It encapsulates my little friend’s bliss, which is worms after all.

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