Tag Archives: layers of perception

… layers of perception …

Lately, fully into the process of writing again – the sequel to my first novel – I sometimes wake up with phrases. Yesterday it was: Outsight is the dream, insight is reality. Aha, not just a nice wordplay, I thought, but a fitting indication for what happens in the creative, intuitive process. Insight is new comprehension, often through a shift of focus revealing deeper layers, new connections in the matrix that awaken and surprise, fresh meaning, and adjust the outsight, the old noise caught in a time warp. It’s like having new sight through what the Celts called Thin Places, actual or virtual, where our senses are transcended and spheres intermingle.

If you are a creative person, you may listen to the system talking to itself, as it does day and night, even during dreams. Some of us like to branch into the unknown for dimensions beneath surface impressions, probe into the vast reservoir of the personal and collective psyche,  normally filtered out from our conscious awareness when we must attend to the practical matters of daily living.

Often a creative process is sparked by sensing in-betweens. This applies to all arts, including writing. Different layers of experience and association diverge and merge anew when we de-focus. In a visual sense, for example, try looking at a tree in twilight, squeeze your eyes and concentrate on the in-between spaces. There is a moment when the shapes reverse and the background becomes the foreground. And who hasn’t looked at clouds or landscapes in a particular light and seen magical beings?

In this optical illusion you only need to tilt your head. 

And there is the meandering mind, receptive to intuition. Like yesterday I popped to the corner shop to get a paper. An unintended detour got me talking to Annie, who does house clearances. Amongst her cornucopia of stuff a spot of bright magenta caught my eye. I instantly thought of my friend, Rahima, presently in hospital. She is a painter. She loves colours. The vibrant patch of silk, I thought, will make her smile. 

Artists tend to tune out of fashion, out of mass projections, to let the muse take them along random paths into deeper strata of perception and cognition – of shapes, colours, sounds and movements – to re-arrange personal experience, bringing them into a new, universal context.

A good example of this process is shown in a documentary of the painter Howard Hodgkin by Alan Yentob, from the IMAGINE series.

Howard Hodgkin has a current exhibition at the Alan Christea Gallery, London.  http://www.alancristea.com/  in celebration of his 80th birthday,

A Robert Frost poem – Acquainted with the night – was chosen as the title for the exhibition.

De-focussing is magical – it brings new layers of perception …

Ask what makes you come alive, and go do it. Because what the world needs are people who have come alive.’ – Howard Thurman

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