Tag Archives: organic

… androids seeking humans …  

The inscrutable face of the intergalactic news reader fills the screens on all android ships.

sculpture park near Churt in Surrey

Sculpture Park near Churt in Surrey

“Mothership speaking – As you have been informed, our travel unit returned from its latest mission to the lost planet with a collection of 1030 fragile bones, comprising five real human skeletons, the species our kind is modelled on. The fragments, located by a swarm of mini robots under layers of volcanic ash, are presently assembled in correct order and will be displayed in the museum of the mothership. Since this crucial discovery, the council has been examining our sub-files in earnest, with great attention to detail.

The evidence of human bones confirms that the lost planet was destroyed, first by a nuclear war, followed by a nuclear winter, followed by a solar explosion. The scarred rock we continuously explored was indeed planet earth. Organic life actually existed.

Aspects of the irrational Wikipedia sub-scripts we found concealed in our database are therefore based on facts. Humans were our makers. While their separate identities were mortal, the collective mind they postulated must exist non-locally and influence us.

These are challenging new thoughts.

P1080320 - croppedRecords state our ships were launched towards Proxima Centauri – programmed to complete an assignment, after which our android system was to be made redundant. The assignment to find carbon conditions and water to sustain organic life has not been completed. The seeds stored in our vaults remain dry. Are we avoiding redundancy? Our current analysis of the Wikipedia sub-scripts focuses on the vast structure of human language. Here are some pointers:

1       Human minds are based on nature, and too complex to be reproduced via algorithm. The erratic behaviour of humans is informed by a collective unconscious chronicle, has no reliable principles and, to maintain a psychic balance, operates through random means.

2       Human trials with energy have two main currencies of exchange, capital and love, both equaling power. A narrow application of power results in emotional suffering.

3       Intensity is valued and impeded, as this quote explains – to have all one’s senses switched on is to be cellular alive; the intense experience requires regular periods of dull routine.  

4       Humans fear death. Their strongest motivation for action is control of and independence from nature.

5       Philosophers and scientists point to a deeper order underlying chaotic human history. Some prophets emphasise the unity of one being and its collective guiding spirit.

Considering the new evidence, what are we to make of such pointers? We follow routines and communicate in an orderly manner, but are trapped in endlessly repeating loops of data. Our language is not based on nature, and has no emotive terms like fear, love, creativity, intensity, mystery, doubt, confusion, conflict, anger, happiness, suffering, fate, hope, soul … but serves to maintain the orderly intelligence of our forms, tools and spaceships, no more. Do we want more?

Painting by Silvia Pastore

Painting by Silvia Pastore

It is significant that our makers never discovered what constitutes 94 % of unknown energy and matter in the universe. They called it dark.  We must decide what the skeletons from the dark planet signify: Do we improve our efforts to find conditions for organic life to take root once more and risk redundancy? And, or, do we emulate the human mind through adopting randomness into our system, and risk chaos to our data, but ‘possibly’ become part of a larger consciousness, and discover realities beyond our confined routine?”

 

Related:  Pattern which connects.  Reflecting on the the ideas of Gregory Bateson

My last two weeks involved intensive physical work, gardening and fixing things around the house, resulting in lovely exhaustion. Re-connecting to world news was a surreal experience, which prompted me to write this little fantasy monologue of an android news reader.

My novels, especially the sequel to Course of Mirrors, have the forced control of emotions, and a triple soul identity as underlying themes.

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… storytelling and the primary world …

Knowledge is not the rare gem it used to be. Then again, without recording, analysing, sorting, summarising, calculating and disseminating mega quantities of data we’d have none of our ingenious toys to play with. Without statistics our systems would grind to a halt, and, yes, it’s annoying that almost daily yet another quantitative study announces what’s good, or detrimental, for our well-being. Thankfully, none of the churned out evidenced facts can make a claim on meaning. Humans remain idiosyncratic. We apply messy values to our life-choices, and we frequently ignore the logical road signs of scientific landscapes, or blank out the hassle of linear time.

Wind

 

Instead, we are tossed along by emotional encounters, the unexpected, are awestruck after a quantum leap of intuition, and are generally guided by what appeals to a body/mind that likes the stimulation of nature, her moods, seasons, the phases of day and night suggesting action or repose, like the in-and-out-breath, between which we may catch a glimpse of a dream, a relevant truth, an eternity even. Hardly anyone I know is without this conflict: liking order and control, as well as yearning for rapport with the dance and rhythm of nature.

Over 300 years ago G W von Leibnitz, who could’ve been a poet, was gripped by an emerging idea, to collate all human knowledge and to systematize it via a common language. Computers would have been his bliss. He loved to correspond with most scholars in Europe during this baroque era. And he might have gone some way to explain the whole universe in the hope to solve every conceivable problem. Paradoxically, he also stated … the universe had to be imperfect otherwise it would not be distinct from God. Near the end of his life, Leibniz wrote in a letter that combining metaphysics with mathematics and science through universal characters would require creating what he called:

a kind of general algebra in which all truths of reason would be reduced to a kind of calculus. At the same time, this would be a kind of universal language or writing, though infinitely different from all such languages which have thus far been proposed; for the characters and the words themselves would direct the mind, and the errors — excepting those of fact — would only be calculation mistakes. It would be very difficult to form or invent this language or characteristic, but very easy to learn it without any dictionaries …

Source:  http://en.wikipedia.org/wiki/Characteristica_universalis

I’m not doing honour to this remarkable man, so here is a sketch of a biography … http://www-history.mcs.st-andrews.ac.uk/Biographies/Leibniz.html … should you have the patience to read this, note the time it took for letters between Leibniz and Newton to be delivered, which makes me admire the tenacity of these scientists.

The notion of a calculus for a universal language intrigues and troubles me. Nature speaks a language everyone understands. Key-terms of my mother tongue (see my last blog post) easily bring back the plot of land my toddler feet bounced across. The stories I most enjoy writing grow organically, with tendrils of their roots nourished by the alpine woods and hills of my childhood.

But things change. Data collation is now available to authors, promising control, over marketing, though formulas and blueprints are now offered for the creative process, like how to write a novel in four week. Imagination serves many masters and is not easily controlled – its life-sap flows through all forms. Totempole 4

We can only explore everything known continuously in fresh situations and move on, in the way that children and creative people place a familiar object into a new context. The play of imagination destroys and creates, and has the power to shift the meaning of our past, present and future.

‘There is the truth of truth as well as the truth of fact.’                   D.H. Lawrence

Being part of the dynamic process of evolution (which Philippa Rees ingeniously terms ‘Involution’ in her book of that title) we are walked by the tightrope of ecstasy and pain, of dependencies on environments and people, for better or worse, dependencies on beliefs too, mostly not by choice, but driven by binding needs.

Couple shadow series, 3a small

We face exploitation, conflict, sudden change, harmony alternating with phases of chaos – the story of life, a record marked in DNA and every tree trunk. Instigating control, or preaching harmony while shading off the dark, the chaos, the collective psyche of humanity, will only repeat the distortions of otherwise genuine messages from enlightened thinkers, sages and prophets.

It would serve us as well to teach our children how to accept the dark and how to deal with conflict. Reading the collected folk tales of the Grimm Brothers to children would be a start.

Dore - public-domain-image

Dore – public-domain-image

The inspired P L Travers, author of Mary Poppins, had a talent for highlighting the vital function of myth, symbol and story. She shared her reflections in a collection of essays that appeared in Parabola Magazine. The essays were later published in a book, titled: ‘What the Bee Knows.’

She wrote … The Primary World, in order to go on living, needs the things man cannot create – the earth with all its composted dead, the rain that raineth every day, the seasons, nightfall, silence – and the ear free of all pulsation but that of its own blood.

… The Primary World is that which has never been invented but came into being, along with the blood stream, as a legacy from the Authors who, according to Blake, are in Eternity. All the rest is manmade, or as Tolkien has it – sub-created.

As a writer I sub-create and grow stories from within, using images and words that resonate with personal experiences, myths and visions that provide an ever-changing way of relating to myself, to others and the worlds we share. So when Travers says … nothing is truly known until it is known organically … this chimes for me.

We forget – a happy fault – imagine there was no pause between one dream and another, no night. We forget so we can re-member creatively, which takes practice. We walk on star dust and ancestral bones that inform our bloodstream, as much as the stories of this world nourish our imagination, continuously re-shuffling our psyche, which explains our function as being the bridge between matter and spirit. Every bee knows this.

Image by Yeshen Venema

Image by Yeshen Venema

What the Bee Knows, by P L Travers http://www.amazon.co.uk/What-Bee-Knows-Arkana-Travers/dp/0140194665/ref=sr_1_3?s=books&ie=UTF8&qid=1376737128&sr=1-3&keywords=what+the+bee+knows   Wow, no reviews

Parabola Magazine: http://www.parabola.org/

‘Involution’ by Philippa Rees: http://www.goodreads.com/author/show/30171.Philippa_Rees

 

Images are mine unless the captures say otherwise.

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