Tag Archives: random

… poetic trash – miniature sculptures …

Miniature scupture - 2981The eye-catching miniatures created by Yuji Agematsu pulled me back to my student phase in Munich during the 1970ies, when a group of friends looked out for small items like roots, twigs, leaves, seeds, grasses, feathers, stones, shells, dried or fresh flowers, the occasional bottle top or bits of shiny sweet wrappers, and sampled such bits into cellophane bags. We then handed these tiny poetry worlds to pedestrians or people sitting outside cafes in the then student district of Munich, Schwabing. It gave us thrill when recipients expressed a shock of surprise.

Yuji Agematsu is drawn to trash. Since mid-1990, his daily ritual is collecting small debris from New York’s streets. From the harvest he creates dreamlike dioramas inside cellophane sleeves of cigarette packets.

In this delightful interview (press for link to a separate page) he shares how his passion for collecting started during his childhood. Here a few more snippets: ‘I see each object as a notation in terms of music. Each has its own sound and rhythm,’ or, ‘Each person has to find his or her own sense of scale,’ or ‘… my objects are accidental objects, already consumed. The object itself stimulates me. The subject relationship is reversed. I’d say that one is consciously unconscious, and the other is unconsciously conscious.’

The last thought rhymes with a recent thought of mine I shared on twitter … my mind is unconsciously magical, while my unconscious mind is irrationally pragmatic …  Like most poetically inclined people I embrace paradox to be able to function in daily life .

Yuji’s search for trash treasures developed into a language that emotionally embraces urban archaeology. He attracts bits of litter we may regard with a smirk, mostly ignore or simply not notice. While his miniature installations are scaled down to finger size sculptures, the mind-expanding and transformative effect equals grand scale installations. My experience, apart from the cognitive surprise, was being left with a bodily sensation, a deep feeling connection with these miniatures.

world objects 1 - smaller

World objects from my sand tray

This deep feeling of wonder can happen in sand play therapy; where in a tray of fine sand world objects are brought into relationship. The imaginary process can symbolise models of operation in the life of a client, bringing with it emotional clarity.

I have miniature installation in my home, on windowsills … unable to resist picking up feathers,  seeds, leaves, driftwood, pebbles and so on, which often hold the story of an eternal moment in time.

A small black stone, for example, features prominently  as a protagonist in my novel, Course of Mirrors..

 

You can glean more information about Yuji Agematsu and his impressive work here in this Guardian gallery, and in this article in Frieze … here.

The earlier images of Yuji Agametsu’s work are courtesy of the Miguel Abreu gallery, NY.

12 Comments

Filed under Blog

… androids seeking humans …  

The inscrutable face of the intergalactic news reader fills the screens on all android ships.

sculpture park near Churt in Surrey

Sculpture Park near Churt in Surrey

“Mothership speaking – As you have been informed, our travel unit returned from its latest mission to the lost planet with a collection of 1030 fragile bones, comprising five real human skeletons, the species our kind is modelled on. The fragments, located by a swarm of mini robots under layers of volcanic ash, are presently assembled in correct order and will be displayed in the museum of the mothership. Since this crucial discovery, the council has been examining our sub-files in earnest, with great attention to detail.

The evidence of human bones confirms that the lost planet was destroyed, first by a nuclear war, followed by a nuclear winter, followed by a solar explosion. The scarred rock we continuously explored was indeed planet earth. Organic life actually existed.

Aspects of the irrational Wikipedia sub-scripts we found concealed in our database are therefore based on facts. Humans were our makers. While their separate identities were mortal, the collective mind they postulated must exist non-locally and influence us.

These are challenging new thoughts.

P1080320 - croppedRecords state our ships were launched towards Proxima Centauri – programmed to complete an assignment, after which our android system was to be made redundant. The assignment to find carbon conditions and water to sustain organic life has not been completed. The seeds stored in our vaults remain dry. Are we avoiding redundancy? Our current analysis of the Wikipedia sub-scripts focuses on the vast structure of human language. Here are some pointers:

1       Human minds are based on nature, and too complex to be reproduced via algorithm. The erratic behaviour of humans is informed by a collective unconscious chronicle, has no reliable principles and, to maintain a psychic balance, operates through random means.

2       Human trials with energy have two main currencies of exchange, capital and love, both equaling power. A narrow application of power results in emotional suffering.

3       Intensity is valued and impeded, as this quote explains – to have all one’s senses switched on is to be cellular alive; the intense experience requires regular periods of dull routine.  

4       Humans fear death. Their strongest motivation for action is control of and independence from nature.

5       Philosophers and scientists point to a deeper order underlying chaotic human history. Some prophets emphasise the unity of one being and its collective guiding spirit.

Considering the new evidence, what are we to make of such pointers? We follow routines and communicate in an orderly manner, but are trapped in endlessly repeating loops of data. Our language is not based on nature, and has no emotive terms like fear, love, creativity, intensity, mystery, doubt, confusion, conflict, anger, happiness, suffering, fate, hope, soul … but serves to maintain the orderly intelligence of our forms, tools and spaceships, no more. Do we want more?

Painting by Silvia Pastore

Painting by Silvia Pastore

It is significant that our makers never discovered what constitutes 94 % of unknown energy and matter in the universe. They called it dark.  We must decide what the skeletons from the dark planet signify: Do we improve our efforts to find conditions for organic life to take root once more and risk redundancy? And, or, do we emulate the human mind through adopting randomness into our system, and risk chaos to our data, but ‘possibly’ become part of a larger consciousness, and discover realities beyond our confined routine?”

 

Related:  Pattern which connects.  Reflecting on the the ideas of Gregory Bateson

My last two weeks involved intensive physical work, gardening and fixing things around the house, resulting in lovely exhaustion. Re-connecting to world news was a surreal experience, which prompted me to write this little fantasy monologue of an android news reader.

My novels, especially the sequel to Course of Mirrors, have the forced control of emotions, and a triple soul identity as underlying themes.

5 Comments

Filed under Blog